THIRTEEN DAYS Starring Kevin Costner, Bruce Greenwood, Steven Culp, Dylan Baker,
Lucinda Jenney, Henry Strozier
Directed by Roger Donaldson
"Thirteen Days", the political drama that takes a look at the Cuban
Missile Crisis that nearly brought on World War III in 1962, is everything
astute viewers would want in a movie. An intense, superbly directed and
acted film, rich in detail and even richer in entertainment value, it
will have you on the edge of your seat for most of its 145-minute running
time.
Told largely (though not entirely) through the eyes of President John
F. Kennedy's special advisor Kenny O' Donnell (Kevin Costner), the film
begins on October 16th, 1962, when JFK, is shown a series of photos taken
by a U-2 spy plane that reveal the presence of medium-range ballistic
Soviet missiles in Cuba. This presence would be capable of launching
nuclear missiles at much of the eastern United States, including
Washington D.C. In a matter of minutes, at least 80 million people would
die. Kennedy could forcibly remove the missiles from Cuba, but that
would most likely cause Soviet Premier Krushchev to retaliate by taking
over West Berlin, which would then cause an American retaliation and so
on.
For a few days, the American public is kept at bay about the
escalating events while military options are explored and Kennedy keeps
his military officers--anxious to invade Cuba--on a short leash. On
October 22nd, President Kennedy addresses the nation about the situation
and calls for a blockade of Cuba. Over the next week, as the American
public becomes both scared and prepared for what may happen, Kennedy and
his staff try everything they can in order to avert the situation without
using military force.
It can be contested whether or not "Thirteen Days" is one hundred
percent accurate, but I can say that it makes for great Hollywood
filmmaking. It's smart, exciting and involving. It exposes younger
viewers who may know little if anything about this to an important
chapter of modern history and does so in a way that won't put them to
sleep. For the rest of us, it reminds us of two things: one is of how
close we all came to not being here today. The other is that quality
film-making may not be dead just yet.